$UICIDEBOY$ Tickets

Two cousins from New Orleans built one of the biggest independent rap acts in the world by pairing distorted, punk-driven production with unusually raw, confessional lyrics.

Suicideboys, stylized as \$uicideboy\$, began releasing music on SoundCloud in 2014 and have since run their own label, G*59 Records, with reported streams in the billions.

Their sound mixes trap, punk, and metal, and their annual Grey Day Tour regularly draws arenas and amphitheaters full of rap and hardcore fans in the same room.

Why Buy Suicideboys Tickets on SeatPick?

Their tours alternate between arenas and large outdoor amphitheaters, so a pit spot, a reserved seat, and a lawn ticket can all be on sale for the same night.

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• Only vetted sellers make it onto the page
• The 100% ticket guarantee covers every purchase
• Bringing a crew? There's no limit on how many tickets you can buy

What to Expect from a Suicideboys Concert?

The night hits hard and fast, with heavy bass, distorted guitars, and a crowd that treats the pit like an extension of the stage.

The duo trade verses at a rapid pace, switching between shouted hooks and slower, more melodic passages that the audience often sings back.

The mood mixes catharsis and community, since many fans connect with the lyrics' honest treatment of depression, addiction, and survival.

Support slots usually go to artists from the same underground rap and hardcore circles, so the entire bill tends to feel like one connected scene.

Suicideboys' Biography

Scott "\$crim" Arceneaux Jr. and Aristos "Ruby da Cherry" Petrou are cousins who grew up on opposite sides of New Orleans and found their sound after both had played in other projects.

Ruby came from punk and metal bands, while \$crim worked as a DJ and producer, and they released their first music on SoundCloud in 2014 before their first full-length project, Gray/Grey, in 2015.

They founded G59 Records, short for Grey59, and later signed a distribution deal with The Orchard while retaining ownership of their music.

Their lyrics have always dealt with depression, substance use, and mortality, themes that have defined both the duo's fan community and the controversy that has followed them.

In 2025 their album Thy Kingdom Come became their highest-charting debut yet at number four on the Billboard 200.

Suicideboys' Albums & Projects

Early releases included a flood of EPs and mixtapes, followed by I Want to Die in New Orleans in 2018 and Stop Staring at the Shadows in 2020.

Sing Me a Lullaby, My Sweet Temptation in 2022 and New World Depression in 2024 both debuted in the Billboard 200's top five, and their catalogue includes multiple platinum certifications.

They also teamed up with Blink-182's Travis Barker on the 2019 EP Live Fast, Die Whenever, which featured Korn guitarist James Shaffer.

Most Popular Suicideboys Songs and Setlist Selections

"...And to Those I Love, Thanks for Sticking Around" is among their biggest records, with multi-platinum status.

Early-catalogue favorites like "Carrollton" and "Meet Mr. NICEGUY" regularly appear alongside material from their most recent albums.

Previous Suicideboys Tours and Festival Appearances

The first Grey Day Tour ran in the summer of 2019 from Seattle to Los Angeles, and it has since grown into an annual arena and amphitheater run across North America.

A 2023 Suicideboys tour paired them with Ghostemane and City Morgue, and they've played major festivals including Lollapalooza in Chicago.

Their live reputation rests on high-energy, pit-heavy performances that attract crowds from both the rap and hardcore scenes.

Key Facts about Suicideboys

• Formed in New Orleans by cousins Scott "\$crim" Arceneaux Jr. and Aristos "Ruby da Cherry" Petrou
• Run their own label, G*59 Records, with distribution through The Orchard
• Thy Kingdom Come (2025) became their highest-charting debut, reaching number four on the Billboard 200
• Their annual Grey Day Tour has become one of the biggest rap tours in North America
• The dark, confessional lyrics shape the atmosphere at their events, where the crowd is as much a part of the experience as the stage